Photo: Gavin Joynt

Balbir Singh reflects on working with Gary Beacom

Gary Beacom is one of those unique individuals in life. Creatively gifted, a master of improvisation and being in the moment, a magnetic performer, humble, open and deeply intelligent.

He is a delight to work with – both in the studio and on ice. His commitment, concentration and focus are absolute. There is no emotional clutter or distraction.

As a collaborator, Gary constantly surprises. Sometimes we are all trying to catch up with his thought process and where his thinking is going with ideas being explored. You can see his resolve and inner strength; he has constantly pushed and challenged himself throughout his long-lasting career in the world of ice skating.

I wasn’t sure how Gary would take to the idea of being on rollerblades in a theatre production. With the right team and creative vision, you all inspire each other and find rich creative exchange and learning. It has been great to see how he is equally in his element in the studio as he is on ice. The Boy with the Rollerblades is a testament to the working relationship we all forged together.

Gary Beacom shares his thoughts on collaborating with Balbir Singh

The depth of the choreographic conceptualisation that Balbir Singh uses to allow pieces to take form, is something that I find especially intriguing.

I personally resonate with this improvisational method, as I have used in my own artistic development.  I also feel a compelling impetus from the use of narrative and symbolism that enrich and further that growth.

I am inspired by the diversity of dancers involved, who stimulate my creative energy by the level of individual commitment and integrity that we share in our collaboration.

Explore the process

A lost art?
A bridge to India
Immersed in music
When Worlds Collide
The Idea (learning to dance)
Natural curiosity and questions (learning to dance)
Composer thoughts on Learning to Dance
In the presence of geniuses
The story (love and spice)
A dancer reflects on The Strategists (1)
Overview of The Strategists
Breakdown of The Strategists
Roundness of 12: a breakdown of the piece
Breakdown of the piece (love and spice)
Script (12)
Painter research
A dancer reflects on Love and Spice
Full Contact – highlights from the script
Dancer notes performance (flatlands)
Peacock Lake – genesis of the concept
Firing up the Mehfil Machine
The Collaborators
Creative Case – challenges along the way
The Guru-Shishya relationship
What is Kathak?
Life blood
Collaboration: Balbir & Gary
Colouring your emotions
Covid-19 Update on Monday, April 6th, 2020
Creative Case in action – July to September 2019
Finding my way in The Creative Spirit of John Curry
Talent Development – Abirami Eshwar
Talent Development – Kimberley Hardy
Collaborators: Lorna Brown and Gary Beacom
The Work: Act 1
The Work: Act 2
Planning the show
The 8 Dances
Performance
Who was Hans Krebs?
The Citric 
 Acid cycle
Accessibility
Balbir’s thoughts behind the work
Balbir on developing the work
Amrita Sher-Gil & Frida Kahlo
My favourite painting is. . .
Balbir reflects on The Two Fridas
Cast one
Devising in lockdown
Las dos Fridas
‘Alas Para Volar (Wings to Fly)’
Amrita – a story that lives in Art