Photo: Karol Wyszynski
This opportunity for performers and audience members to mix has come out of Balbir Singh’s experience while supporting his guru Padmashri Pratap Pawar during a tour in India. Each show would end with Balbir’s guru surrounded by eager fans, keen to discuss aspects of the performance.

Balbir commented, ‘I was struck by just how accessible high level classical artists in India are. They’re very accessible in general – for example you’d never get anywhere near someone like, say, Paul McCartney after a performance. There is a genuine openness and generosity, with artists wanting to talk about and share the art form, and hear the audience’s comments on what they have experienced.’

In Love and Spice, this remarkable approach to artist-audience engagement is encouraged through the use of food, the universal language that brings people together.

I wanted to find a way for artists and audience to mingle and chat freely – just as I’d seen happen in India while supporting Guruji on his dance tour.

Balbir Singh

Photo: Karol Wyszynski

One of the most novel and engaging aspects of Love and Spice is its incorporation of live cooking into the performance. A chef, on stage throughout the piece, first prepares the ingredients, then cooks as the story unfolds. The themes of love and spices are explored by the dancers, accompanied throughout by the sights and sounds of food being cooked.

Sizzling pans, leaping flames and the pungent aroma of spices heighten the audience experience. The performers themselves interact with the chef, encouraging him to add more of this or that ingredient, in order to bring about the transformation they seek. And at the end of the performance, audience members are invited to share the completed dish.

Cast and audience mingle over food, providing a rare opportunity to learn more about the diverse artforms and culinary traditions of the Indian subcontinent.

Explore all

The Idea (learning to dance)
My destiny to bring them together
Natural curiosity and questions (learning to dance)
Composer thoughts (learning to dance)
The story (love and spice)
Dance with live cooking
On the trail of love and spice
Love, spice – and healthy eating
Breakdown of The Strategists
A dancer reflects on The Strategists (1)
An interview with Kuldip Singh Bist of the Delhi Hurricanes
Overview of The Strategists
Decreasing Infinity in India
Painter research
A dancer reflects on Love and Spice
Sooraj Subramaniam
Breakdown of the piece (12)
Dancer notes performance (flatlands)
Breakdown of the piece (love and spice)
Moon, dance
The Collaborators
Bones, Bodies and Beats
Peacock Lake – genesis of the concept
Script (12)
BMX and Flatland terminology
A dancer reflects on The Strategists (2)
Running order (full contact)
Watersplash! Uncovering hidden histories to reach new audiences
When Worlds Collide
Immersed in music
In the presence of geniuses
Olga Maloney
Exploring hidden worlds
Gary Beacom
A bridge to India
Jesse Bannister
A lost art?
Full Contact – highlights from the script
Kimberley Hardy
body/painting – dancers at an exhibition
Firing up the Mehfil Machine
Baines Cards
Who was Sir Hans Krebs?
Synchro in the city
Kali Chandrasegaram
Creative Case – challenges along the way
The Guru-Shishya relationship
Padmashri Guru Pratap Pawar
What is Kathak?
Life blood
A new aesthetic in the sport-art of synchro
AquaKathak – the creative water workout
Balbir on working with Gary
Colouring your emotions
Abirami Eswar
Care Homes Tour Leeds 2020
The Work: Act 1
The Work: Act 2
Erica Mulkern
John Ball
Artistic Highlights
Creative Case in action – July to September 2019
Covid-19 Update on Monday, April 6th, 2020
John Curry Olympic and World Champion
Finding my way in The Creative Spirit of John Curry
Talent Development – Abirami Eshwar
Talent Development – Kimberley Hardy
Collaborators: Lorna Brown and Gary Beacom